Pause. Hold. Look. Adjust. Press the shutter. Repeat. As a commercial photographer, A significant quantity of time is spent figuring out how to adjust a light stand, arrange a gobo, force light through a grid, power up your power pack, stop down your aperture and place your subject in the frame. The easy side of commercial photography does not exist. Nothing is simple when it comes to taking a picture in-studio or on-location. This is the very first thing you learn when you start to truly study how an image is composed. It isn't the simple depressing of a shutter button. If you suspect this is photography then you need to return to the camera shop now and ask for an exchange. You do not need all that gear you need a point and shoot camera for your "straighforward" pictures. Leave the rest up to the professionals.
The second thing you may find out about commercial photography is the way to capture the image in camera before post-processing. Regard it this way, the less Photoshop you have to employ the better your imagery will become. Not only this but think of Photoshop as a file modifier just like your snoots, umbrellas, diffusers, gels and grids are light modifiers. It is there to help create an image it's not there to make the image. Without your camera Photoshop is a pointless tool. Get what you need in your camera. If you need to change it when you are done, fine. If from the start in your sketchbook you need to employ a filter, screen, wash, or mask in Photoshop to build, create, innovate and stimulate your imagery - then that's fantastic. But again, Photoshop is pointless without that camera file. So be kind to your client, your self-image and finally you by capturing what you need in your camera before you tear down that set.
The final thing you need to learn before starting your journey into learning photography is be adaptable. You'll be faced with more challenges on an everyday basis then you know what to do with. Don't get deterred. Hang in there!! You are going to need to produce a skin. Folks are going to get unpleasant, critiquing your best work. You need to stand tall. Let the words sink in. Do not be intimidated by another photographers' years of experience. But listen. Their information is precious. When you begin to feel intimidation, turn the other cheek and keep on clicking away. You'll find your path. Your pathway is out there in the world of photography. Understand just one thing. These photographers are accomplished people in their own fields and for this you owe them all of your undivided attention. They will teach you what you need to grasp. Even if you learn a single thing from one repellent little mean professional snapper it still is one other thing you have learned about being a commercial paparazzo. Smile. And end up with your head held high.
Now you are prepared to get out there. Tug out your gear. Unload your creative ideas and push the bounds because you know the three integral parts to being a commercial paparazzo. Commercial photography is not easy. Nor is it just pressing a button. Photoshop is only a tool. Without a camera, Photoshop is only a software program. And eventually be tough, grow a talent and learn as much as feasible from those who have come before you.
About the Author:
SeeSaw Photo is the best place for the highest standard in Brisbane photography. Award winning and fun to work with, SeeSaw will turn your ideas into amazing pictures. If you need a commercial photographer in Brisbane, we highly recommend them.
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