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Saturday, October 1, 2011

The Truth About Free Photo Book Design Software

By John Karpenkov


With regards to photo book software packages, there are lots of lies about photo album development your photographer would like you to imagine. In this particular article I will talk about some frequent myths that are told by "professionals" who are looking to use each and every trick to save their decreasing incomes.

Lie about photo album software program #1: photo album software package packages are very complicated and only professional photographers with all their training and experience can produce a good quality photo album.

The truth: not all photo album design software programs require an extensive training in order to effectively use them. With an advent of digital photography, the entire photo industry is shifting towards making photo album creation process as easy as possible even for complete beginners. You just have to find the right program.

Lie about photo album software program #2: only skilled photographer can create a high-quality photo album which has that costly, deluxe feel. You cannot do anything to make it happen without spending a fortune for professional photo album services.

The truth: anybody, even a person who never used image editing tools, will make a one-of-a-kind, totally tailored (cover, backgrounds, captions) stunning photo albums ranging from quite cost-effective glossy laminate hardcover to expensive handcrafted real leather hardcover photo books.

Lie about photo album software #3: since crafting of your photo books (printing, binding, and cover page design) takes skilled professionals hours of hard work, final products will cost you hundreds or even thousands of dollars.

The truth: when you find out what photo album software program to use and where to purchase your printed photo books, you are going to be shocked how affordable your photograph albums could be. This information can easily save you a lot of money. Why not devote this extra cash to the things you like the most? Perhaps, a good family vacation or whatever else you might be interested in?

Browse the pictures of photo albums that you can make with this program, watch a video and finally get free from all the lies around photo book creation process.

Right below there is a great bonus created just for you! I have posted step-by-step directions on how to download the program for free and obtain a 50% off your 1st printed photo book.




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Wedding Photography PA Helps You Recapture The Moment

By Lorena Wilder


People spend lots of money and time to get things prepared for their wedding so it's just right. A key part of the preparation should be finding the right professional in wedding photography PA. You will want to have photos that you can look at later that really bring back the memories of the day's magic.

To get really good photos on a day like this requires more than just a good photographer. It requires more than just a professional photographer. You want someone who has experience with the special circumstances surrounding taking these types of photos.

It's not easy to get really good photos of all the different people involved, for example. It's even more difficult when there are little children taking part in the ceremony. Coordinating both of the families together is not the easiest of jobs.

It also takes the right skills to be able to get photos of the couple that are romantic but not overdone. This can be a very fine line and it takes experience and the right sensibilities to do so. Getting shots that are posed but still capture the couple's feelings takes skill.

Each photographer has his or her own style. To make a decision on which to choose, you will need to see samples from each as well as discuss the approach that each would like to take. The goal is to find someone whose style and work you like, rather than to tell the photographer how you want him or her to shoot.

Wedding photography PA is an art form and you need to select your photographer with that in consideration. Find one with the right experience and also the approach that you like. Years in the future, your memories of the day are going to dim, and these photos will be your main way to recapture the moment. Read more about: Wedding Photography PA




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How To Make Marketable Lifestyle Stock Images

By Matt Brading


Lifestyle images photography is one of the most under appreciated stock photography niches. It is a field packed with high paying buyers with a unending need for fresh contemporary pictures, and it's a field many photographers just are not interested in. And that makes it one of the most profitable fields of all for the talented Lifestyle Photographer.

High quality commercial images of life style themes capture a slice of life in an engaging way that draws the spectator in and establishes an emotional connection. It gets the spectator to a mental space where they can imagine themselves (or their friends/family members) in the same situation, or at least leaves them wondering what the experience would be like.

It is that viewer-connection that lifestyle picture buyers are on the lookout for, so that they can append their own message to the image. When you capture lifestyle pictures that convey that sort of message, you are creating pictures with real sales potential, high appeal and very limited competition.

For good or bad, most photographers are a little bit shy when it comes to photographing people, and many of those who do are reluctant to become involved and really direct their models. A lot who consider themselves life style photographers have a tendency to hang back and document human activity, rather then going hands-on and composing the pictures their buyers need.

As a consequence, those lifestyle photographers who take a pro approach and work with carefully selected and directed models to produce strong images with a clear message or story, are usually going to do very well.

You need to use (unpaid) friends and family as your models, as long as you control the shoot. That typically means ensuring everyone is clear of what message you are trying to convey, and ensuring all of the components of the image... Location, clothing, styling, props, poses, expressions,lighting are all congruous with that theme.

As far as lighting goes, the key is usually to keep it simple. Plan out of doors shoots with dual locations: the best clouded day location and a back up site out of full-on daylight. Have reflectors and fill lighting available to balance it out. Indoor shoots can usually be handled with an easy off-camera flash set up, again using reflectors and bounced light to make the desired result.

For the shoot itself, communication with your model (s) is paramount. Before you start everyone should be on the same page, totally clear on what you've got planned. Then as you start the shoot, try for distinctly different moods and themes, and watch what your model is most happy with and adept at. When you have 2-3 specific concepts, work through each individually, directing the model as needed to get the images you want.

For all this direction and management, the key for creating successful images of life style subjects is to ensure the photographs feel natural and unstaged. Models won't usually be looking at the camera, but instead should be connecting emotionally and physically with the situation that you have placed them in.

All the components of the photographs need to fit, and there should be something going on "other than a photo being taken "the viewer can instantly recognize and connect with. There should be enough detail to tell the story, though not such a lot that it becomes cluttered.

Beyond that, there truly are no restrictions to the subjects and themes that will work. Sports are big, as is any type of hobby or pastime, family activities and interactions, eating, drinking, relaxing: anything people do can work, and if you shoot it in a way that photo buyers can hitch their own message to the image, then it'll usually sell too.

Life style photography users will be interested in the demographic and ethnicality of your models as much as the activity itself, so attempt to use different models in the same set up whenever you can. You may also change clothing, styling and props to make different moods & storylines from the same set, and raise your output enormously.

And finally, remember that life style pictures are all about the person being photographed and what they are experiencing at this point of time. The problem with volunteer models is they frequently struggle to convey that, so if you're serious about selling stock photos of lifestyle subjects, you will either need to pay for pro models or get very proficient at directing your volunteers.

Either way, if you concentrate on producing photographs that people can look at and identify with; pictures that people see themselves or their own friends and family in, or wish they could be part of, then you will be shooting some of the most profitable stock photography possible.




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8 Tips For People Stock Photography That Sells

By Matt Brading


There isn't any question, there is always a strong demand for quality people photos. All the stock photography books and internet sites will tell you this, so any photographer serious about selling photos online is going to try and add these to their portfolio on a consistent basis. Sadly, most photographers do it without really considering the end-user, and as a consequence, the majority of the people photos you see online are never going to sell in a thousand years.

As with many fields of stock photography, if you take a Client-centric view and consider the requirements of your end-user, the photo-buyers, it's actually quite easy to not only shoot more marketable people stock photographs, but you can increase your output dramatically also. Here are some pointers to get you going.

1. Know and Understand Your Markets

Think about the demographics of your usual 'models ' and then take some time to look at how stock images of those groups are used? If you tend to photograph lots of seniors, explore the markets for those photos. If you usually work with children, it's going to be different buyers/buyer-types again, so identify as many of those as you can.

Start a shot list for every one of your key markets, so any time you've got a photograph opportunity, you will know exactly what you want from it. It's all about getting clear on who might use the images you shoot, so that you can capture images that are optimized for their wants. So that means studying the images that are being used to identify what elements are most crucial for each buyer-type?

Most photographers aren't going to bother, so any effort and time you put into this will help you, and your images stand proud of the masses.

2. Tell Stories

There really is very little demand for posed portraits in stock. If you're photographing people in the expectation of selling the photographs as stock, you need to be making photographs that tell a story or convey a concept or emotion. They do not need to be action shots, but the parts of the image need to convey that there is more going on than someone having their photograph taken.

You can do this with setting, clothing, props and face expressions, and each component should be congruous with the message of the image. The message itself can be really subtle, so long as everything fits. (In reality subtle photographs frequently work best as the photo-buyers can then add their own copy to the photographs to finely tune the message).

3. Focus on the Eyes

People being people, when we look at a photograph of a person , our eyes automatically look towards the face to establish what's happening in the image. I believe it's some sort of primitive survival instinct that allows us to evaluate mood from a quick look and in people stock pictures, the eyes, and the facial expression will generally be both tangible and clear.

If either of these are obscured, it's done purposely to convey another message totally. In those cases you need to ensure the other components of the image are congruous with that and as a consequence, the accidentally obscured shots are rarely going to work.

4. Stay in Front

There is very little call for rear-end views of people. For commercial work, buyers need clear emotion and expressions that they can tie their own message on, and as soon as you shoot from the rear, you lose any chance of capturing that.

I actually see plenty of shots like this in photographer submissions where they caption the image with some emotionally detailed phrase ... Because that's how they remember the situation ... But having a look at the photo, the viewer wouldn't know if the model was giggling, sobbing or fast asleep.

5. Get in Close

Another problem I see far too frequently is shots obviously taken anonymously from a distance. There truly is little value in this. Far better you approach the people in question and simply ask if you can take their photo. Tell them what you'd like to achieve and give them encouragement to work with you to get the shot.

Sure, some will decline the offer, but just as many will be very happy to try for you. Of course you should have some pocket releases with you, and offer to send them a low-res copy of the image for their own use in return for a signature and their e-mail!

6. Take Control Of Candid Scenarios

I think there is a certain mythology about some of the great street photographers, in that they fired from the hip and just happened to catch their amazing pictures, almost by chance. The simple fact of the matter is, good 'candid ' photography is generally the results of extremely well thought out planning and preparation, and a good knowledge of the subject's habits and behaviour.

The shots should have been captured in a second but the set up might have taken hours.

Shoot from the hip without that sort of preparation and you'll be getting pictures with zero commercial potential. You might get fortunate from time to time, but do not hold your breath. On the other hand, make sure you know your subject so you can predict behaviours and reactions, and you stand a good chance of catching some great images.

Take it a step farther and plan for 'candid ' situations which tell stories that photography buyers might be in a position to use, and you'll also be making photographs with real sales potential.

7. Take Care With Friends & Family

If you're only ever photographing family members or good friends, shooting marketable images is a tough task. The emotional connection with your model makes it really tough for the photographer to work objectively and even tougher for them to appraise the results, especially when the images are shot in the course of a social/family event.

In our library I'll frequently spot horrible 'family ' photographs from some of talented photographers, and when I check with them, the photographers are totally unable to see the issues, because the emotional memory of the circumstances are so over-powering.

Having said that , it is a superb way to learn and practice, if you do it properly. Step one is to treat it as work, and be absolutely clear on the message or story you're wanting to convey with each frame. Write out a shot list before you start and ensure your model knows what you are trying to do.

Ensure the setting, the clothing, the props all work towards the same goal, and work with your model to make the poses and expressions work also. And when you're done, check you are totally honest when reviewing the results!

8. Lighting Considerations

This is simpler than you may imagine. Outside look for clouded days or find a location away from bright sunlight. You can always use reflectors and fill flash as required, but if you start with a 'good day ' the extras are just fine tuning what's already there.

Inside, light your subject any way you like, as long as you don't use on-camera flash. If you're serious about shooting commercial people stock photographs, you'll need to invest in some extra lighting or flash kit.

It doesn't have to be very costly or complicated, as long as you can move it and fire it away from your camera. Even a flash you can hold outstretched in one hand, while you hold and fire the camera with the other hand, will be a massive improvement over on camera flash.

As with most fields of photography, there are going to be exceptions, and most rules can be broken from time to time. But as a starting point, if you keep these in mind whenever you've got the chance to photograph some human subjects, you should get some stronger photographs with good commercial prospects.




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Check out the top of Wedding Photographers.

By Sanu Mishra


The film vs digital debate happens to be at the forefront of skilled photography more than the final 10 years or so. As digital technology has seen numerous innovations, various photographers have gradually moved to completely shooting digital. These exact same photographers once shot movie, now to nearly all of them movie is all but dead. Typically marriage ceremony photographers worked completely with movie, with nearly all of them shooting a combine of 35 mm and medium format, employing each color and black and white emulsions. While this is a mixture that has served wedding photographers nicely for many years, it's perhaps not essentially the most viable choice in today's world, for both financial factors and when it comes to workflow, time and high quality.Here is a great source to discover Wedding Photographers.

Right here I've summarized some points that I think will manual newbie wedding ceremony photographers.Here is a superb source to obtain Wedding Photographers.

Understand photography prior to anything else. A wedding ceremony photographer is anticipated to be a master of the craft. You might be in control of capturing people's most valuable everyday life moments. The wedding ceremony day just isn't the location to find out photography.Study about Wedding Photographers right here.

The majority of marriage ceremony photographers shooting movie shall be shooting 35 mm with a combine of medium format. The present leading finish digital cameras produce pictures of greater quality than 35 mm film functionality, and will be said to rival medium format. Now, if we look at a popular scenario encountered at a wedding ceremony, low light, we can consider this discussion additional. In order to take photographs in reduced light configurations one requirements to utilize a large ISO. Essentially this can be a measure of the film/digital sensors sensitivity to light. Substantial ISO film is historically tremendously grainy - believe with the aged photojournalistic pictures shot on large pace black and white movie. This is not surprisingly a appear that many individuals like, nevertheless some customers may possibly discover it unwanted. Sadly it can be unavoidable if we want to use movie and shoot in low light circumstances without a flash.Read about Wedding Photographers right here.

On the other facet of the coin, the current expert digital cameras have come forward leaps and bounds within their low light abilities. Early designs produced intense picture sound at higher ISO's. This noise is considered an unsightly, undesirable trait, in contrast to film grain which may be pleasing. The existing breed of digital cameras tackled this and as such are ready to seize somewhat noise free of charge pictures even at large ISO's. What does this imply? It indicates even offered reduced light scenarios a photographer shooting using a specialist DSLR shall be capable to produce satisfying results without resorting to unflattering flash.




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